When I was a kid, growing up in Christchurch, we went on a yearly school visit to the Christchurch Museum. There were two parts I loved. First, the old, fake street:

When I was going there, there used to be a big horse and carriage in the middle of the street. I loved that plastic horse, and would always pat its nose. I think it is gone now, which is disappointing.
The other thing that I loved was a gallery, upstairs with dresses “through the ages”. So pretty with the lace and the brocade and the colours and the sparkly things.
I realise it makes me sound tremendously shallow, what with the liking of the shops and the frocks. But rocks and hunks of metal and weapons don’t engage me. I learnt more about history through those sparkly things, through looking at how small the waists were, and how uncomfortable the shoes looked. I could imagine myself going into the shop to buy some snuff for my husband and a hatband and some ribbons, and that taught me more than sitting in a amphitheatre looking at a huge globe ever could have.
Which is why I wish I was in London (aside from all the other reasons) so I could go to this exhibition.

Is that dress on the left not divine? Plus how could anyone resist details like this:
[Norman] Hartnell succeeded magnificently, adapting his signature style of full-skirted dresses decorated with exquisite beading for the rigours of life in perpetual motion. ‘Hartnell used a great deal of duchesse satin,’ explains de Guitaut. ‘He found that more conventional satin tended to crease, while heavier materials were simply too hot. Duchesse satin, however, combined exactly the right amount of weight and softness.’ An evening dress designed for a later tour of New Zealand in 1963 bears this out. The oyster-coloured duchesse-satin skirt is cut into a scissor-style shape, which manages to be both architectural and fluid. What’s more, its heavier weight provides a firm backdrop for a beautiful embroidered panel decorated with pearls, diamanté and sequins arranged in a diamond pattern.
If you had to wear a dress with an Olympic ring pattern, wouldn’t you want it to be just like this?

Plus, she’s not just styley, she’s also very practical.
The Queen might be asked to ride an elephant, as she was during an early tour of Pakistan, or be presented with unusual items of clothing, which will have to be incorporated into an existing outfit. Her ceremonial feather cloak, presented to her by the Maoris of New Zealand and worn subsequently on several public occasions, offered particular challenges.
Love.




So, just in case we’ve forgotten And for Miss 







